Yeah, maybe I should have leapt on the bandwagon to write a New Year’s post, but it’s all about world-building for me right now. Since the second novel in the Scod series focuses on Zalú, I need to flesh out every detail that I overlooked while writing the first book. That means adding to the map, adding new cultures, expanding the history, — and finally biting the bullet on the technology.
In Zalú, much of the land is a special kind of “wasteland” thanks to volcanic activity and frigid winters. Nothing grows there, so no animal life can be supported either. Which means travelers have to get across and into a more functional biozone before they run out of supplies. And with a war going on, speed is even more important.
I couldn’t have them floundering in ash and sand. They needed vehicles to bear the weight of the supplies and products to be sold. And those vehicles needed terrain-appropriate wheels.
I think there are two trains of thought that my readers just leapt on: 1) Well, that’s a somewhat gratuitous detail, or 2) Of course you need special wheels! Did it really take you until the second book to work that out?
In response to those on line 1 bound for Skeleton Prose, it might seem that way if you, say, designed every aspect of every vehicle and described them in mind numbing Tolkien-esque prose. I’ll be the first to admit that too much world building is possible and detracts from the plot and characters if overdone. But.
Details are the very life spark of your invented world. Not only do they make it more believable, they’re what your readers are looking for in the first place. Readers of fantasy and science fiction all love a good story and good characters, but if that were enough for us we’d be content with realistic fiction. What we crave is the imagination, the impossible, the wondrous. We are greedy. We don’t just want to see the stars — we want to feel their glow on our faces, smell the stardust in our hair, bite down on them like hard diamond candies.
(Sorry, I’m in the middle of a sugar craving.)
In response to those on line 2 bound for Over-saturated Description, yes it did.
Details can also be really, really tiring. There’s so much to think about, SO MUCH. I’ve been filling out a questionnaire that I found online for the past few months. So far, I’ve finished about eight pages.
There are seventy-four all together.
This questionnaire asks me to contemplate such things as population density, imports, exports, the legality of magic, political alignments, common jobs, hierarchies… and that’s just in one section. It is highly thorough, and extremely boring.
That’s not to say this isn’t a useful tool for me. On the contrary, I’d be lost without it. And the details that you need not being fun doesn’t mean that you can’t add fun ones in as well. I mean, that’s why we all started writing, isn’t it? ; )
But again, there comes a point where you just stop needing so many details, and can even bog down your writing by adding them.
The key is to find the balance. Seventy-four pages is a lot, but I’m trudging through it so I can err on the side of caution. Even with three books worth of world-craft, 80% of what I add will probably never see publication. But, if I ever do need those details, they will exist. And… here’s where I cheesily come full circle with an analogy… the vehicle of my prose will ride smoothly on its wheels of detail.
Warned you. ; )